A happy accident- shooting with Kodak Portra

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My dearest aunt knew I wanted Kodak Portra film for Christmas.

However, when I opened up the box, out came two beautiful boxes of Portra, but in medium format!

I rarely shoot 120mm film, mostly because the camera I have that uses 120mm film is old and not the most high quality machine in the world. It’s a 70+ year old Argus Argoflex TLR, with a Bakelite body and a not-super-bright viewfinder. Nonetheless, if I am patient, it can give me lovely images that make me quite happy. I knew that I needed to just use the film and take advantage of the fact that this lovely camera I got at a garage sale would never again have such high-quality film inside of it ever again.

If you don’t know, Kodak Portra is considered one of the gold-standard films out there. It’s grain, skin tones, and color are generally accepted to be the best. As such, it’s not cheap. I’ve never myself splurged on Portra, except for a roll here or there, and I’ve always been so happy with how rich the blues are, how perfect the creams and yellows show, and how alive my film feels once I scan it in.

So, here are a few shots from my wee little old camera, armed with some of the nicest film I have ever been lucky enough to shoot. Some moments by the icy Clark Fork, a quiet sunny moment in my favorite bakery, a still-life on our large kitchen table, and waiting for the car to warm up. Unexciting but still real, felt points in time and space.

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